Nel 1957 realizza i primi Schermi, opere inizialmente monocrome che incarnano già l’interesse per le dinamiche dell’immaginario collettivo affidato alla finzione cinematografica, forme-oggetto approfondite negli anni seguenti.
In 1957 Mauri realized his first Schermi, initially monochromatic works that already embodied his interest for collective dynamics of imagination entrusted to cinematic fiction, object-forms explored during the following years.
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